From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object

Ko Hsiang-Chun

doi:doi:10.11648/j.si.20160404.12

| Peer-Reviewed

From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object

Ko Hsiang-Chun

Published in Science Innovation (Volume 4, Issue 4)

Received: 5 August 2016 Published: 8 August 2016

Views: Downloads:

Download PDF

Share This Article

Twitter
Linked In
Facebook

Abstract

In a different era will produce different qualities of literature. Therefore, “Tang Dynasty's Legendary” and “Song Dynasty's Legendary” have different literature. Include “Writers identity level”, “The story is fictional or historical”, “Purpose of creation”, and “Style is elegant or vulgar language”. “Tang Dynasty's Legendary” pay attention Artistic Conception, Imagination and Urbane. “Song Dynasty's Legendary” pay attention Rationality, Historic and Vulgar. “Song Dynasty's Legendary” is not high evaluation. But in the process of development novels has an important position. This article focuses on the love story of “Tang xuan-zong” and “Yang Gui-Fei”. Subject of the present paper is Chen-Hong's “Chang-Hen-Ge”, Yue-Shih's “Yang-Tai-Zhen Legend”, and Cin-Chun's “Li-Shan-Ji”. On the one hand summed up the purpose and meaning of writing “Song Dynasty's Legendary”. On the other hand re-examine the value and status in the “Song Dynasty's Legendary”.

Published in	Science Innovation (Volume 4, Issue 4)
DOI	10.11648/j.si.20160404.12
Page(s)	177-185
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2016. Published by Science Publishing Group

Keywords

Tang Dynasty's Legendary, Song Dynasty's Legendary, the Urbane and the Secular, Chang-Hen-Ge, Yang-Tai-Zhen Legend, Li-Shan-Ji

References

[1]	明•胡應麟.少室山房筆叢〔M〕。
[2]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：80。
[3]	趙修霈.宋代傳奇小說傳奇手法研究〔D〕.臺灣：國立政治大學.中國文學研究所.博士論文.2009：1。
[4]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：50。
[5]	劉瑛.唐代傳奇研究〔M〕.台北：聯經出版事業公司，1994.10：158。
[6]	洪順隆.北宋傳奇小說論〔J〕.中國文化大學中文學報，1994.06，（2）：24。
[7]	盧景商.樂史《楊太真外傳》的歷史意識〔J〕.醒吾學報，1995.10，（19）：67-77。
[8]	趙修霈.從「禍階」到「禍首」：樂史〈楊太真外傳〉的書寫手法〔J〕.成大中文學報》，2011.09，（34）：131-157。
[9]	保羅•W•克羅爾.李白的道教詞匯〔M〕.美•倪士豪編選《美國學者論唐代文學》.上海：上海古籍出版社，1994.12：81-110.「人們通常認為這些詩人並沒有在他們的作品中表現出明顯的道教意象和傾向。但是，這只不過再次提醒了我們：道經的意象和詞語不僅僅屬於那些虔誠的信徒，事實上它們幾乎為唐代所有的詩人所共有。」（91）。
[10]	傅樂成.唐型文化與宋型文化〔C〕.唐代研究論集第一輯,台北：新文豐出版股份有限公司，1992.11：271。
[11]	張高評.雜劇藝術對宋詩之啟示－民間文學對蘇黃詩歌之影響〉〔M〕.宋詩之新變與代雄.台北：洪葉文化事業有限公司，1995.09。「兩種文化構型的嬗變，科舉制度的影響是一大關鍵。庶民由科舉而任官，俗氣猶存便進入文壇，使元和後之文學呈現『自雅入俗』的趨勢。宋代從太宗起，不斷擴大和改進科舉制度，使得學優入仕的庶民激增。……主控了文壇，社會風氣自然被引導向通俗趣味的路上變化。」
[12]	劉瑛.唐代傳奇研究〔M〕.台北：聯經出版事業公司，1994.10：20。「傳奇作品，在古文運動澎湃的時期內，產量也特別豐富，這不是偶合，而是必然。」劉大杰.中國文學發展史〔M〕.台北：華正書局有限公司，1995.07：390。「由於韓、柳的古文運動，產生一種樸實的新散文，這種文體在敘事、狀物、言情的運用上，自然是遠勝於駢文。……古文運動的功蹟，是文體的革新。文體的革新，間接地促進小說的發展。」
[13]	劉瑛.唐代傳奇研究〔M〕.台北：聯經出版事業公司，1994.10：298。「傳奇源出志怪，志怪類的傳奇乃特多。如敘說人鬼戀的《唐晅手記》、夢中傳授樂技的《冥音錄》、說水府事蹟的《鄭德璘》等，莫不侈談神鬼，跡近志怪。而各傳奇集中所載，尤多此類。」陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：336。「唐代文人偏嗜怪異，宋代文人愛好掌故。」
[14]	段庸生.勸懲與宋人傳奇〔J〕.重慶師院學報哲社版,2000，（4）：31.「與唐人傳奇比較，歷史題材也是宋人偏傳奇偏愛的題材。」又如洪順隆.北宋傳奇小說論〔J〕.中國文化大學中文學報，1994.06，（2）£º4。「從題材上的時間性看，則有歷史題材和現實題材兩種類型。」在宋代傳奇中，屬於歷史題材者如秦醇《趙飛燕別傳》、樂史《綠珠傳》、《楊太真外傳》，或如佚名《梅妃傳》、《隋煬帝海山記》、《迷樓記》、《開河記》等，均為歷史上真實人物，藉由歷史人物達到勸說教化之用。
[15]	劉瑛.唐代傳奇研究〔M〕.台北：聯經出版事業公司，1994.10：76-78。作者對於唐傳奇之作者做一番考證，認為傳奇作家，大都是有官職之人，因此想必也曾經通過舉薦或考試，不是此輩人士，也不足以開創傳奇。
[16]	臺靜農.論唐代士風與文學〔C〕.唐代研究論集第一輯，台北：新文豐出版股份有限公司，1992.11：91。
[17]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：11-12。「唐人傳奇一向被稱為進士文學，其理由在於：一、傳奇的作者主要是進士，包括應舉而落第者；據馮沅君《唐傳奇作者身分的估計》：在四十八位唐傳奇作者中，除二十七人的行事、出身未能考出外，其餘的二十一位中，舉進士十五人，明經一人，擢制科一人，應進士而落第一人，進士或制科出身的三人。二、傳奇創作與進士階層的社懲尤物，窒亂階，垂誡於將來交情趣和應試目的密切相關。……三、特別關鍵的因素是，唐人傳奇所抒寫的情志與進士階層的風流存在不容抹殺的對應關係。」
[18]	胡應麟.少室山房筆叢〔M〕。
[19]	洪順隆.北宋傳奇小說論〔J〕.中國文化大學中文學報，1994.06，（2）：4。
[20]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：338。
[21]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：126。
[22]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：245。
[23]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：128。「在傳奇結尾時，陳鴻推測白居易做《長恨歌》的動機，也將『多於情』、『感其事』放在前面，而將『懲尤物，窒亂階，垂於將來』處理為副主題。」
[24]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：350。
[25]	有關樂史《楊太真外傳》之所本，各有不同說法。可參照洪順隆.北宋傳奇小說論〔J〕.中國文化大學中文學報，1994.06，（2）：19-20。卞孝萱.唐玄宗楊貴妃形魂故事的演進〔J〕.社會科學戰線，1994，（2）221-222。
[26]	汪辟疆〔M〕.唐人小說。
[27]	李劍國.秦醇《趙飛燕別傳考論》－兼議《驪山記》、《溫泉記》〔J〕.固原師專學報（社會科學版），2001.01，22（1）：1。
[28]	李劍國.秦醇《趙飛燕別傳考論》－兼議《驪山記》、《溫泉記》〔J〕.固原師專學報（社會科學版），2001.01，22（1）：5-6。
[29]	魯迅.中國小說史略〔M〕.收錄於魯迅全集.第九卷.台北：谷風出版社，1989.12.李劍國.秦醇《趙飛燕別傳考論》－兼議《驪山記》、《溫泉記》〔J〕.固原師專學報（社會科學版），2001.01，22（1）：1、78、106、107。
[30]	.李劍國.秦醇《趙飛燕別傳考論》－兼議《驪山記》、《溫泉記》〔J〕.固原師專學報（社會科學版），2001.01，22（1）：8。
[31]	.李劍國.秦醇《趙飛燕別傳考論》－兼議《驪山記》、《溫泉記》〔J〕.固原師專學報（社會科學版），2001.01，22（1）：8。
[32]	秦醇.驪山記〔M〕.收錄於劉斧.青瑣高議.前集卷之六.筆記小說大觀九編.第五冊：56（總3012）。
[33]	秦醇.驪山記〔M〕.收錄於劉斧.青瑣高議.前集卷之六.筆記小說大觀九編.第五冊：57（總3013）。
[34]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：48-49。
[35]	明‧凌朦初.二拍〔M〕。
[36]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：77.「南宋羅燁的《醉翁談錄》和皇都風月主人的《綠窗新話》大量摘錄了古代的傳奇故事，無疑是說話人的藍本書。就連北宋劉斧所編撰的《青瑣高議》，也可能是說話人的藍本書。」理由有三：一、有證據表明，其中有些故事確實被宋代說話人講述過；二、每篇的題目之下，附有七個字的副題；三、文字俚俗，並用不少口語詞彙。
[37]	秦醇.驪山記〔M〕.收錄於劉斧.青瑣高議.前集卷之六.筆記小說大觀九編.第五冊：54（總3010）、55（總3011）。
[38]	魯迅.中國小說史略〔M〕.收錄於魯迅全集.第九卷.台北：谷風出版社，1989.12：73-74。
[39]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：334。
[40]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：166。
[41]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：477。
[42]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：245。
[43]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：194。
[44]	學者對於陳鴻《長恨歌傳》之歸類，不是以歷史劇為類別，而是歸入到「言情類」，劉瑛.唐代傳奇研究〔M〕.台北：聯經出版事業公司，1994.10：456。又魯迅言：「陳鴻為文，則辭意慷慨，長於弔古，追懷往事，如不勝情。」
[45]	魯迅.中國小說的歷史的變遷•第四講宋人之「說話」及其影響〔M〕.國立西北大學、陜西教育廳合辦暑期學校講演集.1925：323。
[46]	樂史.楊太真外傳〔M〕.收錄於宋代傳奇.台北：錦繡出版事業股份有限公司，1993.02：80.
[47]	段庸生.勸懲與宋人傳奇〔J〕.重慶師院學報哲社版》2000，（4）：32。
[48]	秦醇.驪山記〔M〕.收錄於劉斧.青瑣高議.前集卷之六.筆記小說大觀九編.第五冊：57（總3013）。
[49]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：8.
[50]	郭學信.略論宋代士大夫的「史學自覺」精神〔J〕.山東師大學報，2000，（6）：89。
[51]	宋•孟元老.東京夢華錄〔M〕.台北：世界書局，1999.09：168。
[52]	徐清泉.文化享樂：宋代審美文化的社會動因〔J〕.上海大學學報，1997.10，4（5）：58。
[53]	劉瑛.唐代傳奇研究〔M〕.台北：聯經出版事業公司，1994.10：142。
[54]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：236。
[55]	張宏生注譯.新譯唐傳奇〔M〕.台北：三民書局股份有限公司，1998.04：243。
[56]	陳文新.中國傳奇小說史話〔M〕.台北：正中書局，1995：341。
[57]	劉世林.中國文言小說史稿（下）〔M〕.北京：北京大學出版社，1993.02：34。「在語言表達上，宋元傳奇一般比較淺顯通俗，蓋與當時興盛的話本小說相互滲透有關。」
[58]	洪順隆.北宋傳奇小說論〔J〕.中國文化大學中文學報，1994.06，（2）：13。
[59]	樂史.楊太真外傳〔M〕.收錄於宋代傳奇.台北：錦繡出版事業股份有限公司，1993.02：47-48。
[60]	樂史.楊太真外傳〔M〕.收錄於宋代傳奇.台北：錦繡出版事業股份有限公司，1993.02：52-53。
[61]	樂史.楊太真外傳〔M〕.收錄於宋代傳奇.台北：錦繡出版事業股份有限公司，1993.02：74。
[62]	秦醇.驪山記〔M〕.收錄於劉斧.青瑣高議.前集卷之六.筆記小說大觀九編.第五冊：57（總3013）。
[63]	秦醇.驪山記〔M〕.收錄於劉斧.青瑣高議.前集卷之六.筆記小說大觀九編.第五冊：56（總3012）。

Cite This Article

Plain Text BibTeX RIS

APA Style

Ko Hsiang-Chun. (2016). From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object. Science Innovation, 4(4), 177-185. https://doi.org/10.11648/j.si.20160404.12

Copy | Download

ACS Style

Ko Hsiang-Chun. From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object. Sci. Innov. 2016, 4(4), 177-185. doi: 10.11648/j.si.20160404.12

Copy | Download

AMA Style

Ko Hsiang-Chun. From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object. Sci Innov. 2016;4(4):177-185. doi: 10.11648/j.si.20160404.12

Copy | Download

@article{10.11648/j.si.20160404.12,
  author = {Ko Hsiang-Chun},
  title = {From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object},
  journal = {Science Innovation},
  volume = {4},
  number = {4},
  pages = {177-185},
  doi = {10.11648/j.si.20160404.12},
  url = {https://doi.org/10.11648/j.si.20160404.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20160404.12},
  abstract = {In a different era will produce different qualities of literature. Therefore, “Tang Dynasty's Legendary” and “Song Dynasty's Legendary” have different literature. Include “Writers identity level”, “The story is fictional or historical”, “Purpose of creation”, and “Style is elegant or vulgar language”. “Tang Dynasty's Legendary” pay attention Artistic Conception, Imagination and Urbane. “Song Dynasty's Legendary” pay attention Rationality, Historic and Vulgar. “Song Dynasty's Legendary” is not high evaluation. But in the process of development novels has an important position. This article focuses on the love story of “Tang xuan-zong” and “Yang Gui-Fei”. Subject of the present paper is Chen-Hong's “Chang-Hen-Ge”, Yue-Shih's “Yang-Tai-Zhen Legend”, and Cin-Chun's “Li-Shan-Ji”. On the one hand summed up the purpose and meaning of writing “Song Dynasty's Legendary”. On the other hand re-examine the value and status in the “Song Dynasty's Legendary”.},
 year = {2016}
}

Copy | Download

TY  - JOUR
T1  - From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object
AU  - Ko Hsiang-Chun
Y1  - 2016/08/08
PY  - 2016
N1  - https://doi.org/10.11648/j.si.20160404.12
DO  - 10.11648/j.si.20160404.12
T2  - Science Innovation
JF  - Science Innovation
JO  - Science Innovation
SP  - 177
EP  - 185
PB  - Science Publishing Group
SN  - 2328-787X
UR  - https://doi.org/10.11648/j.si.20160404.12
AB  - In a different era will produce different qualities of literature. Therefore, “Tang Dynasty's Legendary” and “Song Dynasty's Legendary” have different literature. Include “Writers identity level”, “The story is fictional or historical”, “Purpose of creation”, and “Style is elegant or vulgar language”. “Tang Dynasty's Legendary” pay attention Artistic Conception, Imagination and Urbane. “Song Dynasty's Legendary” pay attention Rationality, Historic and Vulgar. “Song Dynasty's Legendary” is not high evaluation. But in the process of development novels has an important position. This article focuses on the love story of “Tang xuan-zong” and “Yang Gui-Fei”. Subject of the present paper is Chen-Hong's “Chang-Hen-Ge”, Yue-Shih's “Yang-Tai-Zhen Legend”, and Cin-Chun's “Li-Shan-Ji”. On the one hand summed up the purpose and meaning of writing “Song Dynasty's Legendary”. On the other hand re-examine the value and status in the “Song Dynasty's Legendary”.
VL  - 4
IS  - 4
ER  -

Copy | Download

Author Information

Ko Hsiang-Chun

Center for General Education National, Ching Kuo Institute of Management and Health, Keelung, Taiwan

Download PDF

Sections

Plain Text BibTeX RIS

APA Style

Ko Hsiang-Chun. (2016). From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object. Science Innovation, 4(4), 177-185. https://doi.org/10.11648/j.si.20160404.12

Copy | Download

ACS Style

Ko Hsiang-Chun. From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object. Sci. Innov. 2016, 4(4), 177-185. doi: 10.11648/j.si.20160404.12

Copy | Download

AMA Style

Ko Hsiang-Chun. From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object. Sci Innov. 2016;4(4):177-185. doi: 10.11648/j.si.20160404.12

Copy | Download

@article{10.11648/j.si.20160404.12,
  author = {Ko Hsiang-Chun},
  title = {From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object},
  journal = {Science Innovation},
  volume = {4},
  number = {4},
  pages = {177-185},
  doi = {10.11648/j.si.20160404.12},
  url = {https://doi.org/10.11648/j.si.20160404.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20160404.12},
  abstract = {In a different era will produce different qualities of literature. Therefore, “Tang Dynasty's Legendary” and “Song Dynasty's Legendary” have different literature. Include “Writers identity level”, “The story is fictional or historical”, “Purpose of creation”, and “Style is elegant or vulgar language”. “Tang Dynasty's Legendary” pay attention Artistic Conception, Imagination and Urbane. “Song Dynasty's Legendary” pay attention Rationality, Historic and Vulgar. “Song Dynasty's Legendary” is not high evaluation. But in the process of development novels has an important position. This article focuses on the love story of “Tang xuan-zong” and “Yang Gui-Fei”. Subject of the present paper is Chen-Hong's “Chang-Hen-Ge”, Yue-Shih's “Yang-Tai-Zhen Legend”, and Cin-Chun's “Li-Shan-Ji”. On the one hand summed up the purpose and meaning of writing “Song Dynasty's Legendary”. On the other hand re-examine the value and status in the “Song Dynasty's Legendary”.},
 year = {2016}
}

Copy | Download

TY  - JOUR
T1  - From the Elegant “Tang Dynasty's Legendary” into the Secular Changes “Song Dynasty's Legendary” -- “Chang-Hen-Ge”, “Yang-Tai-Zhen Legend” and “Li-Shan-Ji” as the Research Object
AU  - Ko Hsiang-Chun
Y1  - 2016/08/08
PY  - 2016
N1  - https://doi.org/10.11648/j.si.20160404.12
DO  - 10.11648/j.si.20160404.12
T2  - Science Innovation
JF  - Science Innovation
JO  - Science Innovation
SP  - 177
EP  - 185
PB  - Science Publishing Group
SN  - 2328-787X
UR  - https://doi.org/10.11648/j.si.20160404.12
AB  - In a different era will produce different qualities of literature. Therefore, “Tang Dynasty's Legendary” and “Song Dynasty's Legendary” have different literature. Include “Writers identity level”, “The story is fictional or historical”, “Purpose of creation”, and “Style is elegant or vulgar language”. “Tang Dynasty's Legendary” pay attention Artistic Conception, Imagination and Urbane. “Song Dynasty's Legendary” pay attention Rationality, Historic and Vulgar. “Song Dynasty's Legendary” is not high evaluation. But in the process of development novels has an important position. This article focuses on the love story of “Tang xuan-zong” and “Yang Gui-Fei”. Subject of the present paper is Chen-Hong's “Chang-Hen-Ge”, Yue-Shih's “Yang-Tai-Zhen Legend”, and Cin-Chun's “Li-Shan-Ji”. On the one hand summed up the purpose and meaning of writing “Song Dynasty's Legendary”. On the other hand re-examine the value and status in the “Song Dynasty's Legendary”.
VL  - 4
IS  - 4
ER  -

Copy | Download